Skip to main content

Small Towns and the River by Mamang Dai

Critical Appreciation


'Small Towns and the River' written by Mamang Dai was published in 2004 in Dai's poetry collection, 'River Poems.' Dai belongs to the Adi community of Arunachal Pradesh and voices the issues of her hometown Pasighat in many of her poems, including 'Small Towns and the River.' 

Although the poem is essentially about celebrating the immortality of nature (primarily the river in this poem) and those associated with it (tribal people), it also laments its destruction due to ever-growing small towns and political unrest. Thereby making the title of the poem apt for it. 

The most prominent theme that can be spotted in the poem is life and death. "Just the other day someone died" throws light on the tensions between natives and migrants in the North East region, which sometimes cause clashes leading to bloodshed.  When the speaker says "dreadful silence," it actually denotes the curfews that are imposed. Additionally, the temporality of human life is contrasted with that of constant rituals and nature, "life and death, life and death,/only the rituals are permanent." It refers to both the practices that the tribals follow and the river throughout the poem. The hope of the afterlife in the poem highlights the theme of spirituality. 

A modern poem, 'Small Towns and the River,' consists of four stanzas with an irregular line count. It is extremely rich in poetic devices. The poem begins and ends with paradox. Things like "hometown," "dust," and "wind" have been personified by the speaker. Simile can be spotted in the poem when the river is compared with a "torrent of grief." More literary devices like alliteration, refrain, imagery, pathetic fallacy, enjambment, personal metaphor, and periphrasis have been used in the poem. 

The poem can be seen as an attempt by Dai to preserve the memories of her hometown, ("shrine of happy pictures") Pasighat. Along with highlighting the problems of violence and destruction of nature there. One feels closer to nature's lap after reading the poem while getting more aware of the sufferings of the North East region. 


Find me on Social Media - Links




Comments

Popular posts from this blog

Reawakening of India by Jawaharlal Nehru - Important Points

Reawakening of India  By Jawaharlal Nehru 1. Who was Jawaharlal Nehru? Nehru was born in 1889 in Allahabad. He was a freedom fighter, patriot, scholar, statesman, writer and one of the greatest liberal thinkers in the twentieth century. He became the Prime Minister of India in 1947 and till his death in 1964; he was the champion of non-alignment and world peace.    2. What was Nehru’s contribution to Literature of India? One of the acknowledged masters of English prose, Nehru wrote most of his articles during his term in jail. His works include: An Autobiography (1936), The Discovery of India (1946), and Glimpses of World History (1949). 3. What is Reawakening of India? The Reawakening of India is one of the 196 letters that Nehru wrote to her daughter Indira. It has been taken from his book Glimpses of World History. 4. What are the key points that Nehru discusses? a. Impact of British • Good – thieves and dacoits were put down, brought a feeling

Brief Critical Appreciation of The Voice of the Mountains

Critical Appreciation: The Voice of the Mountains by Mamang Dai Source "The Voice of the Mountains" is a poem by Mamang Dai. She is a journalist, writer, and poet belonging to the Adi community of Arunachal Pradesh.  Arunachal Pradesh itself translates as 'the land of the dawn-lit mountains.' So it is no surprise that Dai, who often writes what classifies as "nature poetry," titled the poem, 'The Voice of the Mountains' giving a voice to her native land.  The primary themes in the poem are immortality and change. Though the mountain remains the same - omnipresent and witnessing many lives, the world keeps changing. It highlights the eternal beauty of nature in contrast to the constant destruction caused by man, especially in the North East region.  The mountains serve as a symbol in the poem for the rituals of indigenous people as well as the protector of history. It has nine stanzas with no rhyming scheme. The line count in the poem, too, is irreg